Conference Backdrop

Conference Backdrop

Every conference backdrop starts with the cloth. This is a woven drapery fabric with a matte face: stage light spreads across it instead of bouncing, so the wall stays even on camera and does not flare behind a speaker. It has enough body to hang in a straight line from the track to the floor, and enough weight to fall back into place after the panels are dressed.
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Description
Technical Parameters

Suzhou Chengyuda Textile Co., Ltd. is one of the most reliable manufacturers and suppliers of conference backdrop in China, also supports customized service. We warmly welcome you to wholesale high-end conference backdrop made in China here from our factory. If you have any enquiry about quotation and free sample, please feel free to email us.

 

Fabric Introduction

 

Every conference backdrop starts with the cloth. This is a woven drapery fabric with a matte face: stage light spreads across it instead of bouncing, so the wall stays even on camera and does not flare behind a speaker. It has enough body to hang in a straight line from the track to the floor, and enough weight to fall back into place after the panels are dressed. The surface accepts print and holds a pleat. The cloth is flame retardant, and the exact build is confirmed against the venue requirement for each order.

 

Why inherent flame retardancy

 

IFR means the flame retardancy is in the polymer, built into the fibre before spinning, so it runs through the whole filament rather than sitting on the surface. Nothing is applied afterwards, so there is no finish to wash out. The cloth stays soft rather than stiffened, and shade holds from batch to batch.

 

Available scenes

 

Conference and summit main stage

A keynote needs one clean field behind the speaker. The backdrop runs the full width of the stage opening and drops to the floor, so no seam or gap interrupts the camera. Speakers walk on in front of it and the wall stays flat under stage light.

Hotel meeting room

 

A meeting room rarely offers a presentable wall. The backdrop hangs on a track above the screen and squares the room for the camera. It also hides the projector housing and the service door behind it, so the frame holds one background through the whole session.

Product launch and press event

 

Launch sets change fast between the reveal and the press questions. A printed backdrop carries the product mark for the reveal; a plain panel goes up behind it for the interview. Both hang from the same track, so the change takes minutes and the room stays dressed.

Hybrid broadcast studio

 

A streamed session reads the backdrop as a flat colour field. Dense matte cloth holds an even tone on camera and shows no hotspot from the softboxes. Panels are cut to the camera frame rather than the room, so the shot is filled at any focal length.

 

Available fabric varieties

 

Fabric No.

Width(cm)

Weight
(gsm)

Composition

Feature

Description

MOQ/m

CHV029

155

320

100%IFR polyester

IFR

Warp Knitting Velvet

500

CHV029-W

310

280

100%IFR polyester

IFR

Warp Knitting Velvet

1000

CHV027(22oz)

155

420

100%IFR polyester

IFR

Warp Knitting Velvet

500

CHV027-W

310

420

100%IFR polyester

IFR

Warp Knitting Velvet

1000

CHV027(250z)

153

480

100%IFR polyester

IFR

Warp Knitting Velour

500

CHV020

155

500

100%IFR polyester

IFR

Warp Knitting Velour

5000

CHV021

150

320

100%IFR polyester

IFR

Molton Woven Brushed

3000

CHV021-W

300

320

100%IFR polyester

IFR

Molton Woven Brushed

3000

CHG023

140

500

100%IFR polyester

IFR

Woven Cut Velvet

300

CHG024

140

570

100%IFR polyester

IFR

Woven Cut Velvet

300

CHW025

150

320

80%Wool,20%
polyester

FR
Treatment

Molton Double side brushed

1000

CHW026

150

480

80%Wool,20%
polyester

FR
Treatment

Molton Double side brushed

1000

CHD016

300

250

100%IFR polyester

IFR

Woven TwillBlackout

500

CHD021

300

210

100%IFR polyester

IFR

Stain

3000

CHS040

300

50

100%IFR polyester

IFR

Terylene Voile

1000

CHS041

200

55

100%IFR polyester

IFR

Pongee

5000

 

Available Colours

 

product-553-643

 

Two performance

 

Flame Retardancy

The flame performance of a theatrical curtain starts with the fabric itself. The curtains are woven from heavy, densely constructed velvet-type yarns, and flame-retardancy performance is applied through the yarn spinning processing so the protection sits within the cloth rather than on its surface. This makes the fabric has inherently flame retardant effect and the effect will not reduce after washed.

 

Flame-retardant performance test

 

 

Our flame retardant Theatrical fabric can pass the following Standards:

product-45-30

CN:GB20286-2006

product-56-33

DE:DIN4102-B1,DIN54342

product-47-30

USA:NFPA701,CA117,CFR1615

product-45-30 JP: JIS-L-1091

product-56-35

ER:NFP92-507-M1

product-52-35 ESP:EN13773:2003

product-45-30

UK:BS5852,BS5438,BS5867,BS476-CLASS

   

 

 

Acoustic Performance

 

A theater curtain behaves as a large absorber. Heavy, densely woven fabric is porous at the surface, so sound energy enters the cloth instead of reflecting straight back into the hall, while the deep, regular pleats hold air between the fabric and the wall. That combination - porous material plus a trapped cavity - is what reduces reflected sound rather than only blocking it.

How much absorption a curtain contributes depends on how it is made up and hung: pleat density, the amount of fabric gathered into the track, the depth of the folds, and the distance between the fabric and the wall all influence the result, as does the proportion of the room's surfaces the curtains cover. In practice these variables are used to shape reverberation time and improve speech intelligibility in halls that would otherwise sound harsh.

Because the drape set is made to order, fabric and pleat ratio can be adjusted to the requirement of the project's acoustic consultant, and coordinated acoustic testing can be arranged so the specified configuration is verified rather than assumed.

 

Acoustic test report

product-630-890
product-642-907

Our Factory

 

SUZHOU CHENGYUDA TEXTILE CO.,LTD, specialized in flame retardant curtain fabric especially fire-resistant fabrics and fireproof for 15+ years, We have developed a variety of different flame-retardant theater curtain fabrics suitable for various scenarios including 15/22/25 oz velour velvet fabric, Matte dimout fabric, Molton CS fabric, Medium Gloss Satin Fabric and etc., Each of them has there own characteristics to meet the fire safety requirements of different countries.

We have established partnerships with many countries around the world like USA, Australia, Canada, Spain, Netherlands, Russia, Singapore, etc

We sincerely endeavor and look forward to working with our partners both in supply and sale ends to create a brighter future!

product-500-375
product-500-375
product-500-375
product-500-375

 

FAQ

 

Q: 1.Are the stage drape fabrics flame retardant, and can you supply test documentation?

A: Yes. The stage drape range is flame retardant, and testing can be arranged against the framework required by the project's location and venue authority. Reports can be issued together with the shipment so the venue holds a complete compliance record.

Q: 2.How do you support the acoustic requirement?

A: Drape fabric and pleat ratio can be adjusted to the requirement of the project's acoustic consultant, and coordinated acoustic testing can be arranged so the specified configuration is verified rather than assumed.

Q: 3.Can sizes and pleat ratio be customized?

A: Yes. Every drape is made to measure: stage opening, hanging height and pleat ratio are confirmed from drawings or site measurement before production.

Q: 4.What colors and fabrics are available?

A: A coordinated range including velvet-type and dense matte weaves in burgundy, navy, gold, white, black and further shades, with custom colors matched to the auditorium interior on request.

Q: 5.What track and control options do you offer?

A: Motorized and manual track systems, matched to drape weight, stage layout and the venue's rigging and safety requirements.

Q: 6.How should the stage drapes be cleaned and maintained?

A: Follow the recommended washing and drying method, avoid incompatible cleaning agents, and have the fabric rechecked for flame performance after repeated laundering or major repairs.

Q: 7.Do you provide installation guidance, and can the set be fitted to an existing stage or renovation?

A: Yes. Hanging method, distance from the wall and safe clearance from heat sources are agreed at specification stage. Existing tracks, openings and rigging can be surveyed and the drape set specified to suit, whether the project is a new build or a refurbishment.

Q: 8.Can parts of the set be operated separately?

A: Yes. The main drape, act curtain and masking can be hung on separate tracks or operating lines so each can be run independently, and the split is set to the stage layout and the way the production runs.

Q: 9.Do you offer samples?

A: Yes. Fabric swatches are available and the cost is customized on request; sample fees are typically deducted from the first order.

Q: 10.What is the MOQ, lead time and packing?

A: MOQ and lead time are customized on request depending on drape type, fabric and quantity; drapes are folded and packed in export cartons with protection for the hems and folds.

Q: 11.Can you provide OEM/ODM branding?

A: Yes. Custom labels, packaging and branding are available - send your artwork and we will confirm the details.

 

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